David Mamet Teaches Dramatic Writing

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LESSON PLAN

01

Introduction

David outlines what he’ll cowl on this class, and the simplest mindset you presumably can should be taught to write down good drama.

02

Goal of Drama

Making an attempt to know drama? Look no extra than frequently life. David teaches you simple strategies to acknowledge drama at its biggest—when it seeks to simply entertain, not educate.

03

Goal of Drama (Cont’d)

Learn the way drama options as a sort of fable, the strategies by which it enlightens the complexities of humanity, and the way in which it affords us with an outlet for expressing the issues that preoccupy us.

Current all 26 Lessons

04

Dramatic Pointers

As a dramatist, your job is to tell a story. David teaches you simple strategies to keep up your story simple by way of the usage of Aristotle’s Poetics as a data. Uncover methods to keep up your hero’s journey on the coronary coronary heart of your narrative.

05

Dramatic Pointers (Cont’d)

Start initially of your story and don’t stop until you attain the highest. Throw away one thing that isn’t plot. David teaches you what to cut out of your script and simple strategies to understand the rules of writing.

06

Story Ideas

David teaches you simple strategies to harness your fantasies and life experiences for drama. Seek for drama in areas the place you’d least anticipate it and uncover the inspiration behind plenty of of his performs.

07

Character

David teaches you what character really is—movement. Uncover methods to create targets in your characters and steer clear of the defective methods typically taught.

08

Plot

Plot is paramount. Flip into conversant within the essential substances of a plot identical to the precipitating event and the second-act disadvantage. Uncover methods to find the plot hiding behind your scenes.

09

Structuring the Plot

David shares with you the methods he makes use of to development a plot and teaches you simple strategies to affix plot elements.

10

Structuring the Plot (Cont’d)

Be taught the ins and outs of the development of a three-act play and simple strategies to acquire cohesion all through acts.

11

Case Study: Structuring the Plot – American Buffalo

David discusses the historic previous of American Buffalo and delves into its plot, instructing you the symbolism of the eponymous coin and the way in which the narrative speaks to viewers on a deeply human stage.

12

Case Study: Structuring the Plot – Glengarry Glen Ross

David shares the inspiration behind Glengarry Glen Ross and discusses the variations between drama and tragedy.

13

Dialogue

Learn the way David developed his kind for writing dialogue, famously usually known as “Mamet-speak,” and the place to draw inspiration when attempting to write down down good dialogue.

14

Dialogue (Cont’d)

David talks about what informs and motivates dialogue, and simple strategies to acquire a musicality and rhythm in your character’s speech pattern.

15

Narration & Exposition

Writing drama is not the similar as conveying information. A dramatist’s job is to entertain, not bore, the viewers. Uncover methods to acknowledge pointless narration and exposition and simple strategies to let the viewers make it simpler to decrease it out.

16

Scenes

Every scene ought to embody three points. Be taught what these are and simple strategies to acknowledge and take away scenes which will be pointless to your script.

17

Writing Course of

David discusses how he begins writing, the environment by which he likes to write down down, how he affords with writer’s block, and the way in which he appears to Hemmingway for inspiration on simple strategies to begin writing.

18

Writing Course of (Cont’d)

David tells us that there isn’t a fairy mud that may restore your script and explains the easy distinction between him and an artist who spends his or her days merely dreaming about turning right into a writer.

19

The Viewers

Learn the way David reveres his audiences, what they’re looking for after they arrive to the theatre, and simple strategies to be taught from them.

20

Lies & Actuality

Your accountability as a writer: don’t lie. David discusses how the viewers entails the theatre to take heed to the truth and the way in which drama helps us look for the truth. He affords examples of conveying the truth from two of his most revered performs.

21

Lies & Actuality (Cont’d)

David continues talking regarding the actuality in two of his most controversial works: Oleanna and Race.

22

Actors

Be taught from David, throughout the place of the theatre director, on how he views what makes a improbable actor and simple strategies to strong the proper ones in your play.

23

Actors (Cont’d)

David tells us what he believes good actors should and shouldn’t do.

24

Lifetime of a Dramatist

The lifetime of a dramatist is frought with uncertainity, nevertheless dedication and fervour in path of your craft can lead you previous consciousness.

25

Lifetime of a Dramatist (Cont’d)

David experiences the self-doubt frequent amongst writers. Learn the way he overcomes it and the one issue it’s best to steer clear of in order to forge a path in path of turning right into a writer.

26

Closing

David leaves you with parting phrases and an emotional story from thought-about one in all his favorite science fiction novels.

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